报～～～

我们这儿16号原来两场，现在加到3场，17号之后原来每天4场，现在周六加到5场，周日加到6场！

yoyo9585 发表于 2023-02-14 13:28

太棒了！

说得太好了！再引用一下。

粱晓声曾经说过：“没文化真可怕，可文化

到底是什么呢？是学历，是经历，还是阅历。

其实都不是，文化可以用四句话来表达：

植根于内心的修养，无需提醒的自觉以约

束为前提的自由，为他人着想的善良。”

刚去闲话，随便打开一贴，就看到这个

sharic 发表于 2023-02-14 13:50

哈哈哈！

大家去ins点赞

看到一个评论，真是心酸又好笑。

LogicalLogic 发表于 2023-02-14 14:23

太好笑了！再翻上来，没看到的人也乐一乐

New York Times

https://www.nytimes.com/2023/02/16/movies/hidden-blade-review.html

‘Hidden Blade’ Review: Smoke Gets in Your Eyes

Tony Leung stars as a spy chief during a shadowy period in midcentury China, when nationalists, communists and imperialists vied for power and souls.

History’s shadow is long; so is the shadow of Tony Leung’s cigarette, which few other images in modern Chinese (Hong Kong) cinema can rival for iconographic force. To picture him smoking is to conjure an entire world of feeling — the aesthetic ecstasy of Wong Kar-wai distilled into a single vision. Perhaps only Bruce Lee’s fist or the Cheongsam sway of another Wong favorite, Maggie Cheung, compare.

Like many a neo-noirist, Cheng Er thrives in these shadows. They define his latest film, “Hidden Blade,” a puzzle-box action-thriller set amid the Second Sino-Japanese War (1937-45), during which communists, Chinese nationalists, Japanese imperialists and collaborators vied for power and souls: shadow warfare; shadow governments; and yes, a lot of deep-shadow photography of Leung, who plays a spy chief, looking amazing while smoking. (Then there is the shadow of Chinese communism, which raises tricky questions about the film’s politics.)

Impeccably coifed and suited, with his sad smile and careful manners, the simmering, mesmerizing Wang Yibo, who plays a young spy-assassin protégée (of whom, exactly, is a central question), is like a mirror to Leung from decades ago. That sense of homage appears deliberate; it serves the story in ways that aren’t merely meta-textual, and Cheng clearly honors the immense talent and cinematic history at his disposal.

But however crisp and stylishly executed, the parts don’t quite add up to a satisfying whole. The women characters (led by Zhou Xun) are thinly drawn, and Cheng’s love for puzzle-plotting leads too often to confusion, with too little payoff for all that time wandering the darkness. Still, I could have watched the actors smoke (and cry, and bleed) in midcentury Shanghai’s sumptuous back rooms all day.

Film Legacy

https://www.filmlegacy.net/blog/2023/02/15/hidden-blade-wartime-intrigue-in-shanghai/

Hidden Blade: Wartime intrigue in Shanghai

Shanghai in World War II was a viper’s nest of competing interests. Occupying Japanese forces had to deal with Chinese fighters who were themselves splitting under two leaders, Communist and Nationalist. French and British nationals along with Shanghai natives were restricted to an international concession where rights were stripped away daily. With allegiances shifting daily, no one could be trusted.

Complicated and obscure, Hidden Blade conveys the suspense and danger of the time through a handful of key figures. Foremost is He (Tony Leung Chiu-wai), a “director” collaborating with the Japanese after surviving a brutal onslaught on Guangzhou. His two underlings — Ye (Wang YiBo) and Wang (Eric Wang) — carry out his dirty work.

The three answer to Watanabe (Hiroyuki Mori), a swaggering, heavy-drinking Japanese officer who thinks he knows the war better than he does. Sitting in on their meetings is Tang (Chengpeng Dong), who believes, perhaps foolishly, that he can negotiate with the Japanese.

Director Chang Er, whose last film was the excellent The Wasted Times, sends these characters on a convoluted journey of betrayals, double-crosses, and twists that mirror the progress of the war at large. Instead of following a straight chronology, he stages and restages scenes, breaking the narrative in order to flesh out the characters, adding new colors to their behavior.

Take the opening scene, in which He interrogates Liang (Huang Lei), a Communist functionary. He is all smiles and efficiency, much like Christoph Waltz in Inglourious Basterds, teasing and manipulating Liang into a mortal mistake. When the scene reappears much later, viewers have found out enough about He to be able to more accurately question his motives.

Never miss any opportunity to see Leung Chiu-wai perform. He is in command here, often better, more nuanced, more subtle, than the material deserves. It’s another in a long line of his deeply worked out roles. The big acting surprise in Hidden Blade Wang YiBo, a singer, dancer, and former member of the boyband Uniq. This is his first major movie role, and he’s a soulful knockout, able to convey the sorrow and loss of an agent unable to explain his actions.

Hidden Blade is needlessly complex, especially for those unfamiliar with Shanghai politics during the war. Chang Er does little to help viewers, alluding to nicknames, neighborhoods, and offscreen events that will be obscure to viewers in the US. A third act shift to action is unfortunate, reducing the movie to a routine spy adventure.

Still, Hidden Blade has a lot to offer viewers. It’s especially gratifying to see a mainland Chinese film that refuses to resort to propaganda.